As of this past Saturday, Takashi Yamazaki’s Godzilla Minus One is officially on Netflix in North America, and millions of subscribers are getting the chance to learn why kaiju fans and beyond have been losing their minds about the movie with a giant irritated lizard. Seriously, no less than Steven Spielberg is reported to be a great admirer of Minus One, with the Jaws filmmaker telling Yamazaki he’s watched the film three times.
There is of course a sound basis for this (and not just because Godzilla Minus One in part alludes to Jaws). Not since perhaps the original 1954 Godzilla has the iconic creature appeared so terrifyingly real and so menacingly apt as a metaphor for the industrialized war in the shadow of Hiroshima and Nagasaki. There is indeed a strong case to be made that Godzilla Minus One acts as a perfect companion piece to last year’s Oppenheimer,...
There is of course a sound basis for this (and not just because Godzilla Minus One in part alludes to Jaws). Not since perhaps the original 1954 Godzilla has the iconic creature appeared so terrifyingly real and so menacingly apt as a metaphor for the industrialized war in the shadow of Hiroshima and Nagasaki. There is indeed a strong case to be made that Godzilla Minus One acts as a perfect companion piece to last year’s Oppenheimer,...
- 6/3/2024
- by David Crow
- Den of Geek
Godzilla has always been super cool, but what about a Godzilla that's actually a mechsuit? Well, Mechagodzilla was originally intended as an antithesis for the king of monsters, representing attempts to squash a force of nature that wreaks havoc or acts as a benevolent mediator, depending on who you ask. The Gundam version of Godzilla first appeared in 1974's "Godzilla vs. Mechagodzilla," where a bunch of aliens from Black Hole Planet 3 built a massive robot monster to destroy Godzilla and take over the planet. After thwarted attempts to take down the Og prehistoric beast, humans took matters into their own hands to craft a high-endurance, super-powerful cyborg in 2002's "Godzilla Against Mechagodzilla," who teamed up with other beasts like Mothra to put Godzilla down (and failed).
Coming to the MonsterVerse, Mechagodzilla made its first appearance in Adam Wingard's "Godzilla vs. Kong," where the mecha is controlled telepathically by Ren...
Coming to the MonsterVerse, Mechagodzilla made its first appearance in Adam Wingard's "Godzilla vs. Kong," where the mecha is controlled telepathically by Ren...
- 6/3/2024
- by Debopriyaa Dutta
- Slash Film
In 1954, Toho Co., Ltd. undertook the daunting task of introducing the now billions-dollar-worth kaiju, Godzilla. The movie captured the popular imagination and let loose a string of spin-offs, sequels, and crossovers that have come all the way to the Monsterverse and the franchise showcasing the nuclear prehistoric creature alongside Kong. However, in a stark departure from current iterations, director Takashi Yamazaki spun his own take on the lore with Godzilla Minus One.
A still of Godzilla from Godzilla Minus One | Toho
Interestingly, he moved completely away from the staple CGI and big-budget action sequences. Rather, he settled on a fairly grounded approach with a unique setting that had yet to make its way to the screens since a long time back. Brilliantly, all of his plans worked out, and the movie went on to become one of the most successful of the franchise as well as one with the most acclaim.
A still of Godzilla from Godzilla Minus One | Toho
Interestingly, he moved completely away from the staple CGI and big-budget action sequences. Rather, he settled on a fairly grounded approach with a unique setting that had yet to make its way to the screens since a long time back. Brilliantly, all of his plans worked out, and the movie went on to become one of the most successful of the franchise as well as one with the most acclaim.
- 6/3/2024
- by Imteshal Karim
- FandomWire
After being released earlier this year, Dune: Part Two is still the biggest hit film of the year as of the time of writing, topping the global box office. Fans and critics are very satisfied, and the film promises to be one of the biggest contenders in the upcoming awards season, as Denis Villeneuve produced yet another hit film. The film has so far earned $711,844,358 at the global box office, ahead of Godzilla x Kong: The New Empire and Kung Fu Panda 4, both of which passed the $500 million mark. But, while Dune: Part Two can still be seen in some theaters, it is a movie that premiered almost four months ago (in February). Many new movies have been released in the meantime, but none of them managed to surpass Dune.
The director, Villeneuve, was asked about the success of his movie, and while he is definitely proud that Dune is doing so well,...
The director, Villeneuve, was asked about the success of his movie, and while he is definitely proud that Dune is doing so well,...
- 6/2/2024
- by Arthur S. Poe
- Fiction Horizon
Nearly six months after it opened theatrically in the U.S./Canada, Toho’s Oscar Special Effects-winning “Godzilla Minus One” is finally available at home.
As of Saturday June 1, the Takashi Yamazaki film is now available free for subscribers on Netflix. It is also on VOD for $5.99 as a 48-hour rental or $14.99 as a digital download on platforms like iTunes (where it is already #1), Fandango, and Amazon Prime VideoAmazon Prime[/link].
It is unheard of for a Saturday to be a VOD release date, and very unusual for Netflix. That suggests the contractual agreement between Toho and Legendary Pictures (the producers of “Godzilla x Kong: The New Empire”), which called for delayed availability for the Japanese title, specifically set June 1 as the earliest for home release.
A six-month window for home release is unheard of these days. Christopher Nolan’s “Oppenheimer” had a four-month delay before hitting PVOD. Streaming came after seven months.
As of Saturday June 1, the Takashi Yamazaki film is now available free for subscribers on Netflix. It is also on VOD for $5.99 as a 48-hour rental or $14.99 as a digital download on platforms like iTunes (where it is already #1), Fandango, and Amazon Prime VideoAmazon Prime[/link].
It is unheard of for a Saturday to be a VOD release date, and very unusual for Netflix. That suggests the contractual agreement between Toho and Legendary Pictures (the producers of “Godzilla x Kong: The New Empire”), which called for delayed availability for the Japanese title, specifically set June 1 as the earliest for home release.
A six-month window for home release is unheard of these days. Christopher Nolan’s “Oppenheimer” had a four-month delay before hitting PVOD. Streaming came after seven months.
- 6/2/2024
- by Tom Brueggemann
- Indiewire
Wingard has been at the helm for the MonsterVerse’s most recent chapters, bringing his unique vision to both Godzilla vs. Kong (2021) and Godzilla x Kong: The New Empire (2024). However, recent updates suggest a significant shift for the franchise’s future. Director Adam Wingard’s next moves According to The Hollywood Reporter, Adam Wingard will not return for the upcoming sequel, as his schedule now focuses on a project called Onslaught, an action-thriller developed under A24. Despite an amiable split with Legendary Pictures, this scheduling conflict steers Wingard away from another MonsterVerse film. In discussing the MonsterVerse, Wingard has been an...
- 6/1/2024
- by Steve Delikson
- TVovermind.com
Shooting is underway on horror thriller Dangerous Animals, starring Hassie Harrison, Jai Courtney, Josh Heuston and Ella Newton, in Australia.
Screen Queensland, the government-owned investment agency, announced that the feature is now filming on the country’s Gold Coast.
Directed by Sean Byrne, known for genre features The Loved Ones and The Devil’s Candy, it is produced by London and Sydney-based Brouhaha Entertainment, Ld Entertainment, Oddfellows Entertainment and Range Media Partners. Mister Smith Entertainment introduced the project to the market at Cannes this month.
Written by Nick Lepard, the story follows a surfer (Harrison) who is abducted by a shark-obsessed serial killer,...
Screen Queensland, the government-owned investment agency, announced that the feature is now filming on the country’s Gold Coast.
Directed by Sean Byrne, known for genre features The Loved Ones and The Devil’s Candy, it is produced by London and Sydney-based Brouhaha Entertainment, Ld Entertainment, Oddfellows Entertainment and Range Media Partners. Mister Smith Entertainment introduced the project to the market at Cannes this month.
Written by Nick Lepard, the story follows a surfer (Harrison) who is abducted by a shark-obsessed serial killer,...
- 5/30/2024
- ScreenDaily
Theatrical exclusivity is holding steady: In the first four months of 2024, it was around 30 days before PVOD — same as last year. However, as we track the theatrical, PVOD, and streaming lifecycles we’re seeing a new trend: The gap between theaters and streamers is shrinking.
Already, we’re seeing first-quarter theatrical releases like Sony’s “Anyone But You” on Netflix or “Dune 2” on Max. For the first two months of 2024, the average gap between the theatrical opening day and the streamers’ debuts was just 68 days. For the same period in 2023, it was 90 days.
Every wide release from the first four months of 2024 is now available for home viewing (or will be soon). The 30-day average between theatrical and PVOD debuts now appears to be a norm, and any stability is welcome in an uncertain industry. However, the accelerating move to streaming is bad news for theaters.
Faster streaming means another theatrical disincentive.
Already, we’re seeing first-quarter theatrical releases like Sony’s “Anyone But You” on Netflix or “Dune 2” on Max. For the first two months of 2024, the average gap between the theatrical opening day and the streamers’ debuts was just 68 days. For the same period in 2023, it was 90 days.
Every wide release from the first four months of 2024 is now available for home viewing (or will be soon). The 30-day average between theatrical and PVOD debuts now appears to be a norm, and any stability is welcome in an uncertain industry. However, the accelerating move to streaming is bad news for theaters.
Faster streaming means another theatrical disincentive.
- 5/30/2024
- by Tom Brueggemann
- Indiewire
MonsterVerse is currently one of the most significant franchises in pop culture. It kickstarted with 2014’s Godzilla and went on to produce 4 films and 2 TV series. However, there is one film in the franchise that was initially conceived as a different venture, Kong: Skull Island.
The 2017 film was initially planned as a sequel to 2005’s King Kong. After the critical and commercial success of Peter Jackson’s King Kong remake, he thought of making a sequel. Co-incidentally, the director of the last two MonsterVerse films, Adam Wingard, was slated to direct it.
A still from King Kong | Universal Pictures
In an interview, director Adam Wingard revealed that he never had to make any official pitch for his MonsterVerse films. He shared the exciting story about the connection shared between Kong: Skull Island and the iconic Peter Jackson film starring Jack Black, Adrien Brody, and Naomi Watts.
Kong: Skull Island was...
The 2017 film was initially planned as a sequel to 2005’s King Kong. After the critical and commercial success of Peter Jackson’s King Kong remake, he thought of making a sequel. Co-incidentally, the director of the last two MonsterVerse films, Adam Wingard, was slated to direct it.
A still from King Kong | Universal Pictures
In an interview, director Adam Wingard revealed that he never had to make any official pitch for his MonsterVerse films. He shared the exciting story about the connection shared between Kong: Skull Island and the iconic Peter Jackson film starring Jack Black, Adrien Brody, and Naomi Watts.
Kong: Skull Island was...
- 5/29/2024
- by Subham Mandal
- FandomWire
The Warner Bros Studios logo is seen on a building along Hollywood Blvd. in Los Angeles, California on May 28, 2007. (Photo: Flickr user abgpt)
Orbit Showtime Network (Osn) has signed an exclusive multi-year distribution deal for content from Warner Bros Discovery’s (Wbd) film unit Warner Bros Pictures.
The deal will give Osn rights to films like “Barbie,” “Wonka,” “Dune: Part 1,” “Dune: Part 2” and “Godzilla x Kong: The New Empire” along with some Max originals like “Dune: Prophecy” and “The Penguin” in the Middle East and North Africa (Mena).
The agreement also includes some CW Network originals as well as shows from Warner Bros Network like “Rescue: Hi-surf” and “Emperor of Ocean Park,” which will be available to subscribers of Osn TV and Osn Plus in Mena.
“Today we strengthen our longstanding partnership with Warner Bros Discovery with yet another exclusive deal that will further expand Osn Plus and Osn...
Orbit Showtime Network (Osn) has signed an exclusive multi-year distribution deal for content from Warner Bros Discovery’s (Wbd) film unit Warner Bros Pictures.
The deal will give Osn rights to films like “Barbie,” “Wonka,” “Dune: Part 1,” “Dune: Part 2” and “Godzilla x Kong: The New Empire” along with some Max originals like “Dune: Prophecy” and “The Penguin” in the Middle East and North Africa (Mena).
The agreement also includes some CW Network originals as well as shows from Warner Bros Network like “Rescue: Hi-surf” and “Emperor of Ocean Park,” which will be available to subscribers of Osn TV and Osn Plus in Mena.
“Today we strengthen our longstanding partnership with Warner Bros Discovery with yet another exclusive deal that will further expand Osn Plus and Osn...
- 5/28/2024
- by Matthew Keys
- The Desk
To say that this Memorial Day weekend was a disappointment at the box office would be a grave understatement. Warner Bros. unleashed director George Miller's "Furiosa: A Mad Max Saga" in theaters, while Sony Pictures released the family-friendly "The Garfield Movie." On paper, we had a much-anticipated (or so we thought) prequel to "Mad Max: Fury Road," which is one of the most beloved action movies of all time, as well as an animated movie that could get parents out of the house with their kids. In practice, we endured a truly sobering several days' worth of lousy ticket sales.
"Furiosa" topped the charts with a $26.3 million haul through Sunday, with that number growing to $32 million when accounting for the Monday holiday. "Garfield" came in a close second with $24 million over the weekend and $31.1 million through Monday. Both of those numbers were well below industry projections, with "Furiosa" failing...
"Furiosa" topped the charts with a $26.3 million haul through Sunday, with that number growing to $32 million when accounting for the Monday holiday. "Garfield" came in a close second with $24 million over the weekend and $31.1 million through Monday. Both of those numbers were well below industry projections, with "Furiosa" failing...
- 5/28/2024
- by Ryan Scott
- Slash Film
Rank Film (distributor) Three-day gross (May 3-5) Total gross to date Week 1. Furiosa: A Mad Max Saga (Warner Bros) £2m £2.6 1 2. If (Paramount) £1.6m £5.5m 2 3. Kingdom Of The Planet Of The Apes (Disney) £1.6m £11.1m 3 4. The Garfield Movie (Sony) £1.5m £2.8m 1 5. The Fall Guy (Universal) £752,359 £9.9m 4
Warner Bros’ Furiosa: A Mad Max Saga opened top of the UK and Ireland box office this weekend with a total just shy of £2m.
The Fury Road prequel debuted in 715 locations, making for a £2,753 location average, and has a total of £2.6m including previews and the bank holiday Monday.
This is down on its...
Warner Bros’ Furiosa: A Mad Max Saga opened top of the UK and Ireland box office this weekend with a total just shy of £2m.
The Fury Road prequel debuted in 715 locations, making for a £2,753 location average, and has a total of £2.6m including previews and the bank holiday Monday.
This is down on its...
- 5/28/2024
- ScreenDaily
Mena pay-tv service and streamer Osn has agreed an exclusive multi-year deal with Warner Bros Discovery for rights to new Max Originals and Warner Bros Pictures feature films.
The deal will give Osn subscribers access to Warner Bros. Pictures film catalogue and exclusive pay 1 features in Mena following their theatrical and home entertainment runs.
Films included in the deal include Barbie, Wonka, Dune: Part Two, and Godzilla x Kong: The New Empire, as well as Max Originals Dune: Prophecy, and The Penguin.
The agreement will also include new Warner Bros Network, Off-Network, and CW series.
Joe Kawkabani, group CEO at Osn,...
The deal will give Osn subscribers access to Warner Bros. Pictures film catalogue and exclusive pay 1 features in Mena following their theatrical and home entertainment runs.
Films included in the deal include Barbie, Wonka, Dune: Part Two, and Godzilla x Kong: The New Empire, as well as Max Originals Dune: Prophecy, and The Penguin.
The agreement will also include new Warner Bros Network, Off-Network, and CW series.
Joe Kawkabani, group CEO at Osn,...
- 5/28/2024
- ScreenDaily
Kingdom Of The Planet Of The Apes Box Office (China) 3rd Weekend Update(Photo Credit –IMDb)
Kingdom of the Planet of the Apes is close to achieving a significant milestone at the global box office, but amidst that, let’s take a look at the movie’s performance in China. After films like Dune 2, Kung Fu Panda 4, and Godzilla x Kong: The New Empire, the Planet of the Apes installment invoked hope in the industry, but it has not lived up to that expectation. Keep scrolling for more.
According to reports, it has the second-highest production budget in the Planet of the Apes reboot franchise, estimated at $160 million. The movie has been well-received by fans and critics. It has a solid 80% on Tomatometer and a 78% Audience Score on Rotten Tomatoes.
As per trade analyst Luiz Fernando’s report, Wes Ball’s Kingdom of the Planet of the Apes...
Kingdom of the Planet of the Apes is close to achieving a significant milestone at the global box office, but amidst that, let’s take a look at the movie’s performance in China. After films like Dune 2, Kung Fu Panda 4, and Godzilla x Kong: The New Empire, the Planet of the Apes installment invoked hope in the industry, but it has not lived up to that expectation. Keep scrolling for more.
According to reports, it has the second-highest production budget in the Planet of the Apes reboot franchise, estimated at $160 million. The movie has been well-received by fans and critics. It has a solid 80% on Tomatometer and a 78% Audience Score on Rotten Tomatoes.
As per trade analyst Luiz Fernando’s report, Wes Ball’s Kingdom of the Planet of the Apes...
- 5/28/2024
- by Esita Mallik
- KoiMoi
Nothing comes easy for “The Fall Guy” (Universal). Despite a home release 18 days after opening (typical for Universal) and outgrossing “Civil War” by $4 million despite playing for four weeks less, Alex Garland’s film shares top honors with the stuntman actioner this week on the VOD charts.
Both films, available for rental for 48 hours at $19.99, placed #1 on one chart apiece. “Civil War” leads at iTunes (ranking by transactions), while “Fall Guy” does at Fandango (calculated by revenue). One factor differentiating the two is that “Civil War” was released on Friday, while “Fall” debuted the previous Tuesday. That gave the latter an edge on Fandango, which has a weekly Monday-Sunday chart. It was #1 on iTunes on Wednesday through Friday, with “Civil War” #1 since.
“Fall” of course has been a disappointment in theaters. With a head of steam ahead of opening to excellent reviews, Ryan Gosling momentum, and a prime early May release date,...
Both films, available for rental for 48 hours at $19.99, placed #1 on one chart apiece. “Civil War” leads at iTunes (ranking by transactions), while “Fall Guy” does at Fandango (calculated by revenue). One factor differentiating the two is that “Civil War” was released on Friday, while “Fall” debuted the previous Tuesday. That gave the latter an edge on Fandango, which has a weekly Monday-Sunday chart. It was #1 on iTunes on Wednesday through Friday, with “Civil War” #1 since.
“Fall” of course has been a disappointment in theaters. With a head of steam ahead of opening to excellent reviews, Ryan Gosling momentum, and a prime early May release date,...
- 5/27/2024
- by Tom Brueggemann
- Indiewire
Inside Out 2 Box Office Opening Might Bring The Biggest Number Of 2024! (Photo Credit – IMDb)
Inside Out, the cherished Pixar movie will finally have a follow-up after over ten years! Returning to Riley Andersen’s head, Inside Out 2, shows us that she is now a mature adolescent rather than just a wide-eyed preteen. Riley’s constantly changing emotions will be used to examine the difficulties of adolescence in this new chapter.
Inside Out 2 Box Office Expectations
Disney and Pixar’s much-awaited sequel brings viewers back to Riley’s mind, who is 13 years old now, where new anthropomorphized emotions take control to keep up with her teenage feelings. The film is expected to cater for the biggest opening of 2024, destroying biggies like Dune: Part 2 and Godzilla.
Early trends promise the highest opening of 2024 for Inside Out 2, which might be around $80M-$85 Million at the domestic box office, surpassing...
Inside Out, the cherished Pixar movie will finally have a follow-up after over ten years! Returning to Riley Andersen’s head, Inside Out 2, shows us that she is now a mature adolescent rather than just a wide-eyed preteen. Riley’s constantly changing emotions will be used to examine the difficulties of adolescence in this new chapter.
Inside Out 2 Box Office Expectations
Disney and Pixar’s much-awaited sequel brings viewers back to Riley’s mind, who is 13 years old now, where new anthropomorphized emotions take control to keep up with her teenage feelings. The film is expected to cater for the biggest opening of 2024, destroying biggies like Dune: Part 2 and Godzilla.
Early trends promise the highest opening of 2024 for Inside Out 2, which might be around $80M-$85 Million at the domestic box office, surpassing...
- 5/27/2024
- by Trisha Gaur
- KoiMoi
Yet again, a new film sits atop the box-office weekend top ten as Furiosa: A Mad Max Saga managed to stave off fellow newcomer The Garfield Movie by a mere $0.7 million to take the top spot prior to the holiday.
In its first weekend of release, Furiosa: A Mad Max Saga brought in $25.5 million for Warner Bros., allowing it to finish just ahead of Sony Pictures Releasing’s second-place claimant, The Garfield Movie, which brought in $24.8 million during its debut weekend. Meanwhile, this pushed last weekend’s top film If to third place where it added $16.1 million for Paramount Pictures, bringing its two-week tally to $58.7 million. Kingdom of the Planet of the Apes dropped two spots as well, landing in fourth place this weekend with $13.4 million. This gives the 20th Century Studios film a three-week total of $122.8 million. Universal Pictures’ The Fall Guy lost a spot as it fell from...
In its first weekend of release, Furiosa: A Mad Max Saga brought in $25.5 million for Warner Bros., allowing it to finish just ahead of Sony Pictures Releasing’s second-place claimant, The Garfield Movie, which brought in $24.8 million during its debut weekend. Meanwhile, this pushed last weekend’s top film If to third place where it added $16.1 million for Paramount Pictures, bringing its two-week tally to $58.7 million. Kingdom of the Planet of the Apes dropped two spots as well, landing in fourth place this weekend with $13.4 million. This gives the 20th Century Studios film a three-week total of $122.8 million. Universal Pictures’ The Fall Guy lost a spot as it fell from...
- 5/27/2024
- by Mike Tyrkus
- CinemaNerdz
The Memorial Day Weekend we’d all like to forget: Any claims to #1 are premature. “Furiosa: A Mad Max Saga” (Warner Bros.) and “The Garfield Movie” (Sony) are in a battle for #1 for the four-day holiday, but each only estimates around $25 million for Friday to Sunday. (“Furiosa” is ahead.)
This is a holiday release date often chosen for a film that’s expected to be among the top three of the year. Unadjusted, neither “Furiosa” nor “Garfield” would be among the top 50 openers historically for this particular weekend; adjusting to current ticket prices, not even the top 100.
Current estimates for the four-day weekend are $101 million, but the crisis lies in the whole month. May is supposed to kick off summer and it has failed. It confirms that post- “Barbie” and “Oppenheimer” box-office depression has no end in sight.
‘Top Gun: Maverick’Courtesy of Paramount / Everett Collection
Like last year’s “Top Gun: Maverick,...
This is a holiday release date often chosen for a film that’s expected to be among the top three of the year. Unadjusted, neither “Furiosa” nor “Garfield” would be among the top 50 openers historically for this particular weekend; adjusting to current ticket prices, not even the top 100.
Current estimates for the four-day weekend are $101 million, but the crisis lies in the whole month. May is supposed to kick off summer and it has failed. It confirms that post- “Barbie” and “Oppenheimer” box-office depression has no end in sight.
‘Top Gun: Maverick’Courtesy of Paramount / Everett Collection
Like last year’s “Top Gun: Maverick,...
- 5/26/2024
- by Tom Brueggemann
- Indiewire
Holy cow, May is almost over! That means June is almost here, bringing with it summer. While there are plenty of summer activities one can do outdoors, let's not forget the ultimate summer vibe: sitting inside watching TV. Hey, it gets hot out there! You could go outside and sweat a lot, or you could sit on your couch with the air conditioner blasting, watching Netflix. As is their custom, Netflix will be kicking several titles to the curb as the month rolls over, which means you better act fast to watch some of these films and TV shows. Below, we're highlighting some of best titles leaving Netflix in June 2024.
Read more: Famous Characters Who Never Actually Appear On Screen
A Nightmare On Elm Street
Wes Craven solidified himself as a master of horror with "A Nightmare on Elm Street," a slasher with an ingenious hook: the killer targets teens in their dreams.
Read more: Famous Characters Who Never Actually Appear On Screen
A Nightmare On Elm Street
Wes Craven solidified himself as a master of horror with "A Nightmare on Elm Street," a slasher with an ingenious hook: the killer targets teens in their dreams.
- 5/26/2024
- by Chris Evangelista
- Slash Film
L to r) Godzilla and Kong in Warner Bros. Pictures and Legendary Pictures’ action adventure “Godzilla x Kong: The New Empire,” a Warner Bros. Pictures release. Copyright: © 2024 Warner Bros. Entertainment Inc. All Rights Reserved. The Monsterverse is on fire! With five films and two series under its belt, the world can’t seem to get enough of Godzilla and Kong. The latest installment, Godzilla x Kong: The New Empire, is roaring its way to box office success, proving the franchise’s enduring appeal. But what’s the secret behind this cinematic universe’s triumph? Adam Wingard, the director of both The New Empire and Godzilla vs. Kong, has a theory. (Click on the media bar below to hear Adam Wingard) https://www.hollywoodoutbreak.com/wp-content/uploads/2024/05/Adam-Wingard_Fans_Monsterverse_.wav Godzilla x Kong: The New Empire still playing in theaters.
The post Why We Love Giant Monsters: Adam Wingard Explains...
The post Why We Love Giant Monsters: Adam Wingard Explains...
- 5/24/2024
- by Hollywood Outbreak
- HollywoodOutbreak.com
„Alles steht Kopf 2“ verspricht einer der großen Hits des Kinojahres zu werden. Davon legen nun auch erste Prognosen in den USA Zeugnis ab.
Aktuell auf dem Weg zum Topdebüt in den USA: „Alles steht Kopf 2“ (Credit: © 2023 Disney/Pixar. All Rights Reserved)
Auch wenn „Elemental“ nach seinem Start im Sommer vergangenen Jahres zu Unrecht viel zu früh – am Ende kam eine halbe Milliarde weltweites Boxoffice rum – abgeschrieben wurde: Von einstigen Megaerfolgen war Pixar in jüngerer Vergangenheit etwas entfernt. Nicht zuletzt die Tatsache, dass im Zuge der Pandemie gleich drei Pixar-Titel direkt in den Stream wanderten, galt unter Experten als Schwächung der Marke auch im Kino – schon schlicht aufgrund der damit potenziell geschürten Erwartungshaltung beim Endkonsumenten.
Nun aber deutet sich eine Rückkehr zu alter Form an: Hatte „Elemental“ in Nordamerika noch mit knapp 30 Mio. Dollar debütiert (und „Lightyear“ im Jahr davor mit knapp 51 Mio. Dollar), sagen erste Prognosen nach Berichten...
Aktuell auf dem Weg zum Topdebüt in den USA: „Alles steht Kopf 2“ (Credit: © 2023 Disney/Pixar. All Rights Reserved)
Auch wenn „Elemental“ nach seinem Start im Sommer vergangenen Jahres zu Unrecht viel zu früh – am Ende kam eine halbe Milliarde weltweites Boxoffice rum – abgeschrieben wurde: Von einstigen Megaerfolgen war Pixar in jüngerer Vergangenheit etwas entfernt. Nicht zuletzt die Tatsache, dass im Zuge der Pandemie gleich drei Pixar-Titel direkt in den Stream wanderten, galt unter Experten als Schwächung der Marke auch im Kino – schon schlicht aufgrund der damit potenziell geschürten Erwartungshaltung beim Endkonsumenten.
Nun aber deutet sich eine Rückkehr zu alter Form an: Hatte „Elemental“ in Nordamerika noch mit knapp 30 Mio. Dollar debütiert (und „Lightyear“ im Jahr davor mit knapp 51 Mio. Dollar), sagen erste Prognosen nach Berichten...
- 5/24/2024
- by Marc Mensch
- Spot - Media & Film
Exclusive: Disney/Pixar’s Inside Out 2 came on tracking this Am and sources are telling us it’s bound to be the highest opening at the domestic box office year-to-date, inching out Dune Part Two ($82.5M) and Godzilla X Kong: The New Empire ($80M) with a 3-day between $80M-$85M. Inside Out 2 opens over the Pixar tried-and-true Fathers Day weekend of June 14-16.
That’s a big comeback for Pixar in the post Covid era following the opening weekends of last summer’s Elemental ($29.6M) and 2022’s Toy Story spinoff Lightyear ($50.5M).
Inside Out 2 is trending with teen girls and moms. The sequel to the 2015 pic brings viewers back into the mind of the now-teenage Riley (Kensington Tallman) as her emotions try to keep up with her new feelings. While Riley still has her emotions of...
That’s a big comeback for Pixar in the post Covid era following the opening weekends of last summer’s Elemental ($29.6M) and 2022’s Toy Story spinoff Lightyear ($50.5M).
Inside Out 2 is trending with teen girls and moms. The sequel to the 2015 pic brings viewers back into the mind of the now-teenage Riley (Kensington Tallman) as her emotions try to keep up with her new feelings. While Riley still has her emotions of...
- 5/23/2024
- by Anthony D'Alessandro
- Deadline Film + TV
No one could blame the box office for needing an imaginary friend right now. For the first time in more than a decade — excluding the worst period of the Covid-19 crisis — no movie opening during the first six months of the year has come close to hitting the $100 million mark in its domestic launch.
In 2023, for example, three films had accomplished this feat by the time Memorial Day rolled around, including The Super Mario Bros. Movie, which debuted to $146.3 million in April on its way to earning $1.36 billion worldwide. To date, the top opening of the year belongs to March tentpole Dune: Part Two, which started off with $82.5 million, followed by $80 million for Godzilla x Kong: The New Empire. In fact, it’s nearing the one-year anniversary of the last film to open to $100 million or more — Barbie, which sunnily smiled its way to a $162 million debut in the latter half of July.
In 2023, for example, three films had accomplished this feat by the time Memorial Day rolled around, including The Super Mario Bros. Movie, which debuted to $146.3 million in April on its way to earning $1.36 billion worldwide. To date, the top opening of the year belongs to March tentpole Dune: Part Two, which started off with $82.5 million, followed by $80 million for Godzilla x Kong: The New Empire. In fact, it’s nearing the one-year anniversary of the last film to open to $100 million or more — Barbie, which sunnily smiled its way to a $162 million debut in the latter half of July.
- 5/23/2024
- by Pamela McClintock
- The Hollywood Reporter - Movie News
Earlier this week, we learned that Adam Wingard will no longer direct the Godzilla x Kong: The New Empire sequel. He previously helmed Godzilla vs. Kong, but cut his teeth on smaller action movies like You're Next and The Guest.
Today, we bring word from scooper @MyTimeToShineH that Wingard is in the running to helm Spider-Man 4 for Marvel Studios and Sony Pictures.
His potential hiring would almost certainly divide opinions, though it's worth noting that Wingard currently has plans to helm a new action thriller, Onslaught, which is prepping for a fall shoot. That alone likely takes him out of the running.
The director also seems far more interested in finally bringing Thundercats to the big screen.
"Simon [Barrett] and I are still actively working on the script," he said earlier this year. "We finished our last draft basically right when I was going into production on [Godzilla x...
Today, we bring word from scooper @MyTimeToShineH that Wingard is in the running to helm Spider-Man 4 for Marvel Studios and Sony Pictures.
His potential hiring would almost certainly divide opinions, though it's worth noting that Wingard currently has plans to helm a new action thriller, Onslaught, which is prepping for a fall shoot. That alone likely takes him out of the running.
The director also seems far more interested in finally bringing Thundercats to the big screen.
"Simon [Barrett] and I are still actively working on the script," he said earlier this year. "We finished our last draft basically right when I was going into production on [Godzilla x...
- 5/23/2024
- ComicBookMovie.com
The MonsterVerse is witnessing a significant shift as Adam Wingard, the acclaimed director behind Godzilla vs. Kong (2021), will not helm the next installment in the franchise. Despite the enormous success of his recent endeavor, Godzilla x Kong: The New Empire, Wingard is stepping away from the giant monster action for now. Wingard Exits Amid Timing Issues According to The Hollywood Reporter, the separation between Adam Wingard and Legendary Entertainment is described as amicable and primarily stemmed from scheduling issues. The studio is eager to capitalize on the momentum of their blockbuster, but Wingard’s packed schedule couldn’t accommodate this urgency.
The post Adam Wingard Will Not Direct Next Godzilla x Kong Movie first appeared on TVovermind.
The post Adam Wingard Will Not Direct Next Godzilla x Kong Movie first appeared on TVovermind.
- 5/23/2024
- by Steve Delikson
- TVovermind.com
Dan Stevens is a busy man. Godzilla x Kong: The New Empire landed in theaters at the end of March, where Stevens played charming leading man Trapper, then anarchic horror Abigail arrived hot on its heels in April. Next up, August brings strange horror/sci-fi Cuckoo, which sees Stevens playing a deranged scientist. Between press tours, festivals, and new projects, he’s got a lot going on. And we get the sense he wouldn’t have it any other way.
Describing himself as an “experience hound,” Stevens is a man who thrives on challenges. He began his career in theater, made it big as tragic heartthrob Matthew Crawley in British drama Downton Abbey, and has genre-hopped ever since, from action-thriller The Guest, to playing Sir Lancelot in family fun Night at the Museum: Secret of the Tomb. He sang and danced on stilts for Beauty and the Beast, played Charles Dickens...
Describing himself as an “experience hound,” Stevens is a man who thrives on challenges. He began his career in theater, made it big as tragic heartthrob Matthew Crawley in British drama Downton Abbey, and has genre-hopped ever since, from action-thriller The Guest, to playing Sir Lancelot in family fun Night at the Museum: Secret of the Tomb. He sang and danced on stilts for Beauty and the Beast, played Charles Dickens...
- 5/23/2024
- by Rosie Fletcher
- Den of Geek
The MonsterVerse has, somewhat quietly, become one of the most reliable franchises going in Hollywood at the moment. For a full decade dating back to 2014's "Godzilla" right up through this year's "Godzilla x Kong: The New Empire," these films have built up a loyal audience with no signs of fatigue on the part of the viewers. While Warner Bros. and Legendary are quickly looking to get a new installment going, they will need a new director, as we recently learned that Adam Wingard will not be returning to the helm. So, who should take his place?
Wingard is the only filmmaker to direct two MonsterVerse installments, having helmed 2021's "Godzilla vs. Kong" as well as "The New Empire," which now ranks as the highest-grossing "Godzilla" movie ever. So sure, the studio would probably have liked him to return, but he's busy with other projects. Besides, that just opens the...
Wingard is the only filmmaker to direct two MonsterVerse installments, having helmed 2021's "Godzilla vs. Kong" as well as "The New Empire," which now ranks as the highest-grossing "Godzilla" movie ever. So sure, the studio would probably have liked him to return, but he's busy with other projects. Besides, that just opens the...
- 5/22/2024
- by Ryan Scott
- Slash Film
With the release of “Kingdom of the Planet of the Apes” on May 10, this year’s Best Visual Effects Oscar race just got a lot more interesting. That’s because we’re almost guaranteed to get three, possibly even four, movies in the race that are follow-ups to previous Visual Effects nominees. “Apes” is likely to be the fourth movie in its franchise nominated for the innovative performance capture used to help create the film’s photo-realistic apes. Three previous films, starring Andy Serkis, were nominated for Oscars in the category in 2011, 2014, and 2017, but none of them won.
The work done by director Wes Ball and his team has made “Kingdom of the Planet of the Apes” a serious contender in multiple below-the-line categories, not just visual effects. Its production design and sound are equally impressive. But the academy branch that’s most likely to be impressed will be the...
The work done by director Wes Ball and his team has made “Kingdom of the Planet of the Apes” a serious contender in multiple below-the-line categories, not just visual effects. Its production design and sound are equally impressive. But the academy branch that’s most likely to be impressed will be the...
- 5/22/2024
- by Edward Douglas
- Gold Derby
It was recently announced that Warner Bros./Legendary are officially moving forward with a follow-up to Godzilla x Kong: The New Empire, with writer Dave Callaham enlisted to pen the script for the untitled movie.
There was no mention of a potential director at the time, but it seems Adam Wingard, who helmed The New Empire and its predecessor Godzilla vs. Kong, was set to return.
Was being the operative word.
According to THR, Wingard is no longer in line to direct the project. Though the report stresses that he didn't have a deal in place, anyway, it sounds like he was tentatively attached prior to a parting of ways, which is described as "amicable and stemming from timing issues," with the door remaining "open for a future return."
Wingard is now expected to turn his attention to his next project, a new original feature that he wanted to tackle...
There was no mention of a potential director at the time, but it seems Adam Wingard, who helmed The New Empire and its predecessor Godzilla vs. Kong, was set to return.
Was being the operative word.
According to THR, Wingard is no longer in line to direct the project. Though the report stresses that he didn't have a deal in place, anyway, it sounds like he was tentatively attached prior to a parting of ways, which is described as "amicable and stemming from timing issues," with the door remaining "open for a future return."
Wingard is now expected to turn his attention to his next project, a new original feature that he wanted to tackle...
- 5/22/2024
- ComicBookMovie.com
It looks like the third film for the Godzilla x Kong franchise won’t be happening soon after director Adam Wingard exits the project. The latest installment, Godzilla x Kong: The New Empire, has proved to be a tremendous success for Legendary Pictures.
Godzilla x Kong: The New Empire / Legendary Pictures
Wingard co-wrote and helmed The New Empire with the intention of telling more stories from the famed MonsterVerse. He also revealed he’s working on another project which may have caused the delay of another Godzilla movie.
Adam Wingard Exits Godzilla x Kong After Expressing Interest In A Trilogy
In a post from The Hollywood Reporter, the outlet confirmed Godzilla x Kong director Adam Wingard’s departure from the franchise. Their sources claimed that “the parting of ways is described as amicable and stemming from timing issues.” The report also said that “the door remains open for a future return.
Godzilla x Kong: The New Empire / Legendary Pictures
Wingard co-wrote and helmed The New Empire with the intention of telling more stories from the famed MonsterVerse. He also revealed he’s working on another project which may have caused the delay of another Godzilla movie.
Adam Wingard Exits Godzilla x Kong After Expressing Interest In A Trilogy
In a post from The Hollywood Reporter, the outlet confirmed Godzilla x Kong director Adam Wingard’s departure from the franchise. Their sources claimed that “the parting of ways is described as amicable and stemming from timing issues.” The report also said that “the door remains open for a future return.
- 5/22/2024
- by Ariane Cruz
- FandomWire
Godzilla x Kong: The New Empire was released a couple of months ago as the most recent installment in the MonsterVerse franchise. And while the movie received mixed reviews from critics and is one of the installments with the lowest score, the fans loved it and the movie became one of the biggest titles on the box office this year, earning a lot of money. The movie was directed by Adam Wingard and it was actually expected that the director would remain with the franchise, as per our earlier reports. But, sad news comes from Hollywood, as it has been confirmed that Wingard quit the franchise (for now), so he won’t be the director of the planned Godzilla x Kong 3 movie.
We have to say that we knew that Wingard’s next project wouldn’t be Godzilla x Kong 3, as we have recently reported that he accepted to direct...
We have to say that we knew that Wingard’s next project wouldn’t be Godzilla x Kong 3, as we have recently reported that he accepted to direct...
- 5/22/2024
- by Arthur S. Poe
- Fiction Horizon
There are roughly two types of Adam Wingard fans. There are the folks that know him from the MonsterVerse franchise, where he’s made films such as “Godzilla vs. Kong” and “Godzilla x Kong: The New Empire.” Then there are people who know him from his earlier films like his breakout “You’re Next” and the incredible “The Guest.” The former is going to be a bit bummed by the latest Wingard news while the latter are going to be psyched.
Continue reading ‘Godzilla X Kong’ Filmmaker Adam Wingard Not Returning For Next MonsterVerse Film at The Playlist.
Continue reading ‘Godzilla X Kong’ Filmmaker Adam Wingard Not Returning For Next MonsterVerse Film at The Playlist.
- 5/22/2024
- by Martin Miller
- The Playlist
Who's ready to start their midweek, Hump Day grind on a bit of a mixed note? The good news is that I'll never again use the phrase "Hump Day grind" because, frankly, that just sounds unbearably filthy. Okay, the real good news is that Warner Bros. Discovery and Legendary Pictures continue to be in the business of making money and remain intent on keeping their kaiju-sized MonsterVerse movies going. The bad news, unfortunately, is that the next installment will have to do so without the involvement of director and writer Adam Wingard.
For those who've enjoyed the franchise's pivot towards rampant silliness throughout both "Godzilla vs Kong" in 2021 and its sequel, "Godzilla x Kong: The New Empire," it appears that the MonsterVerse must change course once again. According to The Hollywood Reporter, the filmmaker has mutually parted ways with the franchise and the hunt is now on for a new...
For those who've enjoyed the franchise's pivot towards rampant silliness throughout both "Godzilla vs Kong" in 2021 and its sequel, "Godzilla x Kong: The New Empire," it appears that the MonsterVerse must change course once again. According to The Hollywood Reporter, the filmmaker has mutually parted ways with the franchise and the hunt is now on for a new...
- 5/22/2024
- by Jeremy Mathai
- Slash Film
Nick Cheung’s Peg O’ My Heart has been acquired by Central City Media for UK and Ireland distribution from Fred Tsui’s Moebius Entertainment.
The psychological horror, which received its world premiere at Udine’s Far East Film Festival at the end of April, will receive at theatrical release in the UK and Ireland later this year.
It marks the latest Hong Kong film acquisition by distributor Central City Media, building on recent releases In Broad Daylight, The Moon Thieves and Where The Wind Blows.
Peg O’ My Heart is fourth feature written and directed by Cheung, who is...
The psychological horror, which received its world premiere at Udine’s Far East Film Festival at the end of April, will receive at theatrical release in the UK and Ireland later this year.
It marks the latest Hong Kong film acquisition by distributor Central City Media, building on recent releases In Broad Daylight, The Moon Thieves and Where The Wind Blows.
Peg O’ My Heart is fourth feature written and directed by Cheung, who is...
- 5/22/2024
- ScreenDaily
Adam Wingard won't be returning for a third 'Godzilla x Kong' movie.The 41-year-old filmmaker recently directed 'Godzilla x Kong: New Empire' from his own script, and though it has grossed over $564 million worldwide since its release in late March and is set to become the highest-grossing of the five monsterverse films, he's reportedly parted ways with the franchise.Sources told The Hollywood reporter Adam's departure from the series is amicable and is a result of timing issue, but the door remains open for him to return in the future.Adam - who also directed 2021's 'Godzilla vs Kong' - is preparing to shoot action thriller 'Onslaught' in the autumn, which didn't fit into Legendary's plans to move quickly onto their next film featuring Godzilla and Kong.They recently hired 'Shang Chi and the Legend of the Ten Rings' writer Dave Callaham to pen a script,...
- 5/22/2024
- by Viki Waters
- Bang Showbiz
Adam Wingard will not return to direct the “Godzilla x Kong” sequel, according to an insider with knowledge of the project.
The filmmaker behind Legendary’s last two MonsterVerse hits — 2021’s “Godzilla vs. Kong” and 2024’s “Godzilla x Kong: The New Empire” — won’t return for a third installment. However, the door remains open for Wingard to return in the future.
The filmmaker didn’t have a deal in place to return, and will next direct “Onslaught” for A24 with Lyrical Media and Ryder Picture Company. Filming is scheduled to begin this fall. Wingard will direct from a script that he wrote with frequent collaborator Simon Barrett.
Wingard also has a “ThunderCats” movie in development at Warner Bros. centered on the 1985-1990 animated TV show about feline humanoids fighting to survive on a desolate planet against incredible odds.
“Godzilla x Kong” is expected to surpass 2017’s “Kong: Skull Island” as...
The filmmaker behind Legendary’s last two MonsterVerse hits — 2021’s “Godzilla vs. Kong” and 2024’s “Godzilla x Kong: The New Empire” — won’t return for a third installment. However, the door remains open for Wingard to return in the future.
The filmmaker didn’t have a deal in place to return, and will next direct “Onslaught” for A24 with Lyrical Media and Ryder Picture Company. Filming is scheduled to begin this fall. Wingard will direct from a script that he wrote with frequent collaborator Simon Barrett.
Wingard also has a “ThunderCats” movie in development at Warner Bros. centered on the 1985-1990 animated TV show about feline humanoids fighting to survive on a desolate planet against incredible odds.
“Godzilla x Kong” is expected to surpass 2017’s “Kong: Skull Island” as...
- 5/22/2024
- by Umberto Gonzalez
- The Wrap
We had learned two weeks ago that a sixth installment in Legendary’s 10-years-strong Monsterverse is in the works, and The Hollywood Reporter brings us the latest update tonight.
The site reports that Adam Wingard, who directed both Godzilla vs. Kong and Godzilla x Kong, will Not be returning to direct the upcoming follow-up to Godzilla x Kong.
THR notes, “The parting of ways is described as amicable and stemming from timing issues. The door remains open for a future return, per insiders.”
Wingard is instead returning to his roots with the upcoming Onslaught, an action-thriller for A24 that’s said to be more in the vein of his earlier movies You’re Next and The Guest.
Dave Callaham (Shang-Chi and the Legend of the Ten Rings) is writing the upcoming sixth movie in the Monsterverse franchise. We have no idea if it’ll be a follow-up to Adam Wingard’s two movies,...
The site reports that Adam Wingard, who directed both Godzilla vs. Kong and Godzilla x Kong, will Not be returning to direct the upcoming follow-up to Godzilla x Kong.
THR notes, “The parting of ways is described as amicable and stemming from timing issues. The door remains open for a future return, per insiders.”
Wingard is instead returning to his roots with the upcoming Onslaught, an action-thriller for A24 that’s said to be more in the vein of his earlier movies You’re Next and The Guest.
Dave Callaham (Shang-Chi and the Legend of the Ten Rings) is writing the upcoming sixth movie in the Monsterverse franchise. We have no idea if it’ll be a follow-up to Adam Wingard’s two movies,...
- 5/22/2024
- by John Squires
- bloody-disgusting.com
THR reports that Godzilla x Kong: The New Empire director Adam Wingard will not return for the sequel. According to insiders, the split is amicable and was due to scheduling issues, but the door remains open for Wingard to come back to the franchise down the line.
The studio had been keen on Wingard returning for the Godzilla x Kong sequel, but no deal was in place for him to do so. The director had been open to returning, previously saying, “There’s always the seduction of making a trilogy out of it, and I think that there’s some untapped areas to go into. There’s also ways to continue to innovate the stylized approach to the MonsterVerse, and what’s great about the MonsterVerse is that it’s allowed so many different directors to approach it with their unique style and color palette.” However, Wingard is set to direct Onslaught later this fall,...
The studio had been keen on Wingard returning for the Godzilla x Kong sequel, but no deal was in place for him to do so. The director had been open to returning, previously saying, “There’s always the seduction of making a trilogy out of it, and I think that there’s some untapped areas to go into. There’s also ways to continue to innovate the stylized approach to the MonsterVerse, and what’s great about the MonsterVerse is that it’s allowed so many different directors to approach it with their unique style and color palette.” However, Wingard is set to direct Onslaught later this fall,...
- 5/21/2024
- by Kevin Fraser
- JoBlo.com
“Godzilla x Kong: The New Empire” (Warner Bros.), the year’s second-biggest grossing film so far (after the same studio’s “Dune: Part Two”). The $19.99 rental was an immediate #1 on both the iTunes (transaction counting) and Fandango (revenue) VOD charts.
The release comes 46 days after its theatrical opening, a fairly standard delay if not a bit longer. Meanwhile, “Godzilla Minus One” (Toho), the sleeper Japanese success and Oscar Visual Effects winner, has now passed the five-week mark since its domestic release with no home viewing options in sight.
The timing is tied to agreements between Legendary Films (the domestic “Godzilla” licensee) and the franchise’s Japanese owner to not directly compete with each other. As the Warners film advances in its home availability ($5.99 rentals and Max streaming still to come), it remains to be seen when Toho’s film will be permitted.
At the other end of the spectrum, Netflix...
The release comes 46 days after its theatrical opening, a fairly standard delay if not a bit longer. Meanwhile, “Godzilla Minus One” (Toho), the sleeper Japanese success and Oscar Visual Effects winner, has now passed the five-week mark since its domestic release with no home viewing options in sight.
The timing is tied to agreements between Legendary Films (the domestic “Godzilla” licensee) and the franchise’s Japanese owner to not directly compete with each other. As the Warners film advances in its home availability ($5.99 rentals and Max streaming still to come), it remains to be seen when Toho’s film will be permitted.
At the other end of the spectrum, Netflix...
- 5/21/2024
- by Tom Brueggemann
- Indiewire
RankFilm (distributor)Three-day gross (May 3-5)Total gross to dateWeek 1. Kingdom Of The Planet Of The Apes (Disney) £2.2n £7.7m 2 2. If (Imaginary Friends) £1.8m £2.4m 1 3. The Fall Guy (Universal) £874,247 £8.2m 3 4. The Strangers: Chapter 1 (Lionsgate) £452,507 £452,507 1 5. Challengers (Warner Bros) £291,416 £5.3m 4
Disney’s Kingdom Of The Planet Of The Apes held on to the top spot at the UK and Ireland box office this weekend as Paramount’s If debuted in second place.
John Krasinski’s family film opened to £1.8m from 650 locations and a further £642,727 from previews.
This total is down on Krasinski’s A Quiet Place films which debuted on...
Disney’s Kingdom Of The Planet Of The Apes held on to the top spot at the UK and Ireland box office this weekend as Paramount’s If debuted in second place.
John Krasinski’s family film opened to £1.8m from 650 locations and a further £642,727 from previews.
This total is down on Krasinski’s A Quiet Place films which debuted on...
- 5/20/2024
- ScreenDaily
Disney and 20th Century’s Kingdom of the Planet of the Apes has been going strong since the opening weekend. Garnering overall positive reviews, the movie projected a staggering domestic range. Later, the film even conquered the international box office with $40.6M in its second weekend of release.
A still from Kingdom of the Planet of the Apes | Oddball Entertainment Jason T. Reed Productions
However, despite Kingdom of the Planet of the Apes’ overall success, the movie is anticipated to struggle to join the elite $500M club of 2024, currently led by Dune: Part Two. According to recent box office predictions, since the reboot franchise has managed to generate $237M globally, it is deemed to end its theatrical run with a maximum of $410M. Making it difficult to even enter the $500M milestone.
Kingdom of the Planet of the Apes’ Box Office Collection
From the director of The Maze Runner Wes Ball,...
A still from Kingdom of the Planet of the Apes | Oddball Entertainment Jason T. Reed Productions
However, despite Kingdom of the Planet of the Apes’ overall success, the movie is anticipated to struggle to join the elite $500M club of 2024, currently led by Dune: Part Two. According to recent box office predictions, since the reboot franchise has managed to generate $237M globally, it is deemed to end its theatrical run with a maximum of $410M. Making it difficult to even enter the $500M milestone.
Kingdom of the Planet of the Apes’ Box Office Collection
From the director of The Maze Runner Wes Ball,...
- 5/20/2024
- by Krittika Mukherjee
- FandomWire
Newcomer If managed to unseat Kingdom of the Planet of the Apes by just $9.0 million to claim the top spot of the box-office weekend.
In its first weekend of release, Paramount Pictures’ If took in $35.0 million, which was enough to wrestle the number one slot away from Kingdom of the Planet of the Apes, which brought in $26.0 million over the weekend. Despite the slide to second place, the film has still taken in $101.2 million for 20th Century Studios over the last two weeks. Debuting in third place with $12.0 million was the Lionsgate Films offering The Strangers: Chapter 1. All of this pushed last weekend’s number two film, The Fall Guy, to fourth place where it added $8.5 million over the last three days to bring its three-week total to $63.0 million for Universal Pictures. Also falling two spots was Challengers, which landed in fifth place where it added $2.9 million to raise its...
In its first weekend of release, Paramount Pictures’ If took in $35.0 million, which was enough to wrestle the number one slot away from Kingdom of the Planet of the Apes, which brought in $26.0 million over the weekend. Despite the slide to second place, the film has still taken in $101.2 million for 20th Century Studios over the last two weeks. Debuting in third place with $12.0 million was the Lionsgate Films offering The Strangers: Chapter 1. All of this pushed last weekend’s number two film, The Fall Guy, to fourth place where it added $8.5 million over the last three days to bring its three-week total to $63.0 million for Universal Pictures. Also falling two spots was Challengers, which landed in fifth place where it added $2.9 million to raise its...
- 5/20/2024
- by Mike Tyrkus
- CinemaNerdz
Disney and 20th Century’s “Kingdom of the Planet of the Apes” conquered the international box office again with $40.6 million in its second weekend of release.
So far, the fourth chapter in the “Apes” reboot franchise has generated $136 million overseas and $237 million globally. It currently stands as the fourth-highest grossing movie of the year, behind “Kung Fu Panda 4” ($533 million), “Godzilla x Kong: The New Empire” ($561 million) and “Dune: Part Two” ($710 million).
“Kingdom of the Planet of the Apes” cost $160 million to produce, so it needs to keep swinging at the box office to justify its price tag. International ticket sales will be key in turning a profit in its theatrical run. Top overseas markets include China with $20.4 million, France with $13.8 million, Mexico with $12 million and the U.K. with $10 million.
In a distant second place, Paramount and director John Krasinski‘s “If,” a fantasy-comedy aimed at young kids, collected $20 million from 58 markets.
So far, the fourth chapter in the “Apes” reboot franchise has generated $136 million overseas and $237 million globally. It currently stands as the fourth-highest grossing movie of the year, behind “Kung Fu Panda 4” ($533 million), “Godzilla x Kong: The New Empire” ($561 million) and “Dune: Part Two” ($710 million).
“Kingdom of the Planet of the Apes” cost $160 million to produce, so it needs to keep swinging at the box office to justify its price tag. International ticket sales will be key in turning a profit in its theatrical run. Top overseas markets include China with $20.4 million, France with $13.8 million, Mexico with $12 million and the U.K. with $10 million.
In a distant second place, Paramount and director John Krasinski‘s “If,” a fantasy-comedy aimed at young kids, collected $20 million from 58 markets.
- 5/19/2024
- by Rebecca Rubin
- Variety Film + TV
Kingdom of the Planet of the Apes, directed by Wes Ball, was released earlier this month and is having a splendid time at the box office as well as among critics. The Planet of the Apes franchise has moved forward in time with some new characters. But at the same time, it has managed to keep the nostalgia of the spirit from its previous iterations.
Kingdom of the Planet of the Apes | 20th Century Studios
Starring Owen Teague in the lead role, alongside Freya Allan, and Kevin Durand, among others, the movie is making a lot of buzz. Franchise alums like Matt Reeves and Andy Serkis also gave it their stamp of approval with overwhelmingly positive reviews. And talks of a sequel to this new storyline are already making the rounds.
Kingdom of the Planet of the Apes on Its Way to Make a New Record
Freya Allan in Kingdom of the Planet of the Apes...
Kingdom of the Planet of the Apes | 20th Century Studios
Starring Owen Teague in the lead role, alongside Freya Allan, and Kevin Durand, among others, the movie is making a lot of buzz. Franchise alums like Matt Reeves and Andy Serkis also gave it their stamp of approval with overwhelmingly positive reviews. And talks of a sequel to this new storyline are already making the rounds.
Kingdom of the Planet of the Apes on Its Way to Make a New Record
Freya Allan in Kingdom of the Planet of the Apes...
- 5/19/2024
- by Swagata Das
- FandomWire
“If” (Paramount) may have fallen short of its anticipated $40 million opening, but the glass is at least half-full. Preview and initial numbers suggested it could end up around $28 million; instead, its initial estimate is $35 million.
That improvement, along with its A Cinemascore, suggests a film that could stick around. It would be a real boost for the cause of original non-franchise production. Domestic on “If” is better than foreign, which stands at $24 million, $20 million from this weekend. That puts it at $59 million worldwide.
The full weekend is projected to hit $99 million. If that becomes $100 million, it would mark the first time since Easter. By comparison, 2023 saw every weekend from April 7 through mid-August hit that level. In 2019, with significantly lower ticket prices, that was the case from post-Super Bowl through Labor Day.
‘The Fall Guy’©Universal/Courtesy Everett Collection
Any positive news is welcome. We are three weeks into summer playtime...
That improvement, along with its A Cinemascore, suggests a film that could stick around. It would be a real boost for the cause of original non-franchise production. Domestic on “If” is better than foreign, which stands at $24 million, $20 million from this weekend. That puts it at $59 million worldwide.
The full weekend is projected to hit $99 million. If that becomes $100 million, it would mark the first time since Easter. By comparison, 2023 saw every weekend from April 7 through mid-August hit that level. In 2019, with significantly lower ticket prices, that was the case from post-Super Bowl through Labor Day.
‘The Fall Guy’©Universal/Courtesy Everett Collection
Any positive news is welcome. We are three weeks into summer playtime...
- 5/19/2024
- by Tom Brueggemann
- Indiewire
The summer box office is supposed to be the time of year when popular movies can flourish, but this May has not been an ideal start to the season, with another highly anticipated film falling below expectations. Read on for the weekend box office report.
With the general lack of family films in theaters — allowing movies like “Kung Fu Panda 4” and even “Godzilla x Kong” to do very well — Paramount Pictures had very high hopes for John Krasinski‘s “If,” opening it in 4,041 theaters nationwide. Starring Ryan Reynolds and Cailey Fleming (with Krasinski in a small role as the latter’s father), the movie received poor to mixed reviews with just 49% on Rotten Tomatoes, critics not having been swayed by the film’s sweet family-friendly sentimentality.
SEEKevin Costner’s ‘Horizon’ gets epic new trailer [Watch]
“If” only made $1.8 million in previews, which were pulled into its opening Friday number of $10.3 million.
With the general lack of family films in theaters — allowing movies like “Kung Fu Panda 4” and even “Godzilla x Kong” to do very well — Paramount Pictures had very high hopes for John Krasinski‘s “If,” opening it in 4,041 theaters nationwide. Starring Ryan Reynolds and Cailey Fleming (with Krasinski in a small role as the latter’s father), the movie received poor to mixed reviews with just 49% on Rotten Tomatoes, critics not having been swayed by the film’s sweet family-friendly sentimentality.
SEEKevin Costner’s ‘Horizon’ gets epic new trailer [Watch]
“If” only made $1.8 million in previews, which were pulled into its opening Friday number of $10.3 million.
- 5/19/2024
- by Edward Douglas
- Gold Derby
Yesterday, it looked like John Krasinski’s If would fall wildly short of industry exceptions, with the film initially tracking for a $40 million opening. While the final $35 million start marks a significant shortfall, the weekend matinees have been stronger than expected for this poorly reviewed family film. It did about $5 million more this weekend than I predicted. Many will undoubtedly view this as a poor start for a pretty expensive ($110 million) studio film, but there’s reason to be optimistic that the movie will have legs. The film has scored a superb A CinemaScore rating, which means that even if critics (such as myself) hated it, paying audiences like it. The star-studded flick includes Ryan Reynolds and Krasinski himself in front of the camera, while Steve Carell, Phoebe Waller Bride, Emily Blunt and more play the voices of the titular IFs (imaginary friends).
Kingdom of the Planet of the Apes...
Kingdom of the Planet of the Apes...
- 5/19/2024
- by Chris Bumbray
- JoBlo.com
Godzilla x Kong: The New Empire Box Office (Worldwide): Earns The 2nd Spot On Hollywood’s Highest-Grossing Films Of 2024 List. (Photo Credit – IMDb)
We are already five and a half months into 2024, and several movies have been released in the theatres; countless more are waiting to be released. However, we have already got some of the movies that have done really well at the box office, and amongst them is Godzilla x Kong: The New Empire, with its monstrous collections. However, more was needed for it to gain the top spot. Scroll below to find out.
The movie has been released on digital platforms and is available as PVOD, but it is still being watched in the theaters. It is the fifth movie in the MonsterVerse and the second-highest grossing as well. It is a few million short of Kong: Skull Island’s $568.6 million worldwide collections. However, Godzilla x...
We are already five and a half months into 2024, and several movies have been released in the theatres; countless more are waiting to be released. However, we have already got some of the movies that have done really well at the box office, and amongst them is Godzilla x Kong: The New Empire, with its monstrous collections. However, more was needed for it to gain the top spot. Scroll below to find out.
The movie has been released on digital platforms and is available as PVOD, but it is still being watched in the theaters. It is the fifth movie in the MonsterVerse and the second-highest grossing as well. It is a few million short of Kong: Skull Island’s $568.6 million worldwide collections. However, Godzilla x...
- 5/19/2024
- by Esita Mallik
- KoiMoi
The best thing the MonsterVerse has done is to unite two icons of cinema, Godzilla and Kong. Sure, 2014's "Godzilla" and "Kong Skull Island" may have ranked higher on our list of the best MonsterVerse movies, but it was with "Godzilla vs. Kong" that the franchise found its secret weapon — a big ape and a big lizard begrudgingly teaming up. Since then, the MonsterVerse has given us grand entertainment that only an IP-obsessed Hollywood could provide, while also fitting right in with the weirdness and silliness of the Showa era of monster movies.
Alongside its stakes, the MonsterVerse has also grown in mythology, as it introduced the concept of Hollow Earth, a whole unique world with its own lore, locations, and characters. That being said, these movies aren't exactly what you should watch if you want immediate answers to questions about lore of backstories — especially not about the Titans. After all,...
Alongside its stakes, the MonsterVerse has also grown in mythology, as it introduced the concept of Hollow Earth, a whole unique world with its own lore, locations, and characters. That being said, these movies aren't exactly what you should watch if you want immediate answers to questions about lore of backstories — especially not about the Titans. After all,...
- 5/18/2024
- by Rafael Motamayor
- Slash Film
“Godzilla x Kong: The New Empire,” directed by Adam Wingard and starring Rebecca Hall, Kaylee Hottle, Dan Stevens, and Brian Tyree Henry, is a monstrous treat for both young and old. With Kong back in action, this new installment offers a thrilling experience filled with natural disasters—or perhaps not—as our favorite ape wreaks havoc on Earth’s surface, leaving no wonder of nature untouched.
Plot Summary
The storyline takes us to Hollow Earth, where a new threat looms: a King obsessed with reaching the surface who enslaves a Titan. But hope is not lost; Kong returns with his ally Godzilla and new characters, turning both realms into a colossal battleground.
Godzilla x Kong: The New Empire Entertainment Value
If cinema is fundamentally about entertainment, “Godzilla x Kong: The New Empire” is a resounding success. It’s a visual feast with a pulsating rhythm, combining the Americanization of the...
Plot Summary
The storyline takes us to Hollow Earth, where a new threat looms: a King obsessed with reaching the surface who enslaves a Titan. But hope is not lost; Kong returns with his ally Godzilla and new characters, turning both realms into a colossal battleground.
Godzilla x Kong: The New Empire Entertainment Value
If cinema is fundamentally about entertainment, “Godzilla x Kong: The New Empire” is a resounding success. It’s a visual feast with a pulsating rhythm, combining the Americanization of the...
- 5/18/2024
- by Molly Se-kyung
- Martin Cid Magazine - Movies
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.